Mon, April 03, 2017 - 1:00 PM

Bach at One

St. Paul’s Chapel

Last season, Trinity completed its five-year presentation of Bach’s complete sacred choral music. This year Bach at One continues in the fall with the six motets, BWV 225-30, with which the cycle began, as well as other favorite cantatas, performed by The Choir of Trinity Wall Street and the Trinity Baroque Orchestra. The ensembles perform these works with period instruments, providing a historically informed experience of some of Bach’s most awe-inspiring sacred works.

In the spring, Bach at One will feature music of Bach and his contemporaries. Along with Bach’s cantatas and St. John Passion, the program will delve into instrumental and vocal works of Buxtehude, Krieger, Heinichen, and Tunder. The series will move to Mondays in March 2017 and will feature instrumentalists from New York Baroque Inc.

The Choir of Trinity Wall Street
New York Baroque Incorporated, Wen Yang, artistic director

Julian Wachner, Director of Music and the Arts

Bach at One: Comfort

J. S. Bach: Clavier-Übung III: Vater unser im Himmelreich, BWV 683
Nicolaus Bruhns: Ich liege und schlafe
G. F. Handel: “Comfort Ye/Ev’ry Valley” from Messiah, HWV 56
F. M. Veracini: Ouverture VI in G minor
J. S. Bach: Komm, du süße Todesstunde, BWV 161
J. S. Bach: Ich habe genug, BWV 82

Location

St. Paul’s Chapel

Broadway (at Fulton Street), Lower Manhattan

directions

Featured Recordings

  • Israel In Egypt
  • J.S. Bach: Weihnachts-Oratorium
  • Johann Sebastian Bach: Complete Motets

Related Press

  • Compelling ‘Messiah’ from a chorus of soloists–The San Francisco Chronicle

    The choral singing sounded robust and finely detailed. The orchestral playing was a blend of seamless ensemble work and a…read more

  • Review: A Sublime Survey of Baroque Music–The New York Times

    The execution was as delightful as the notion was preposterous: a comprehensive survey of Baroque music by a hardy band…read more

  • La sensualité mystique selon Julian Wachner–Le Devoir

    Ce concert de lundi, dédié à Christopher Jackson par les musiciens et organisateurs, fut de ceux, rares, qui laissent pantois.…read more

  • Bach Cantatas Adapted for One Baby’s Early Days–The New York Times

    As usual, Julian Wachner, the church’s director of music, led vital, energetic performances, particularly impressive for the rich expressivity of…read more

  • Theodora at the Barbican, EC2–The Times

    The Choir of Trinity Wall Street? Why, said my quizzical eyebrow, should a choir from Lower Manhattan be summoned for…read more